Tag Archives: previews

Phase 3 – Shakin’ the Blue Flamingo

Queensbury Theatre’s 2017 Playwrighting Competition winner, Girls Who Sing in the Choir, by Gwen Flager, has a new name! Shakin’ the Blue Flamingo will be the title going forward, and hopefully in print. Along with the new title, we have a new ending for the play.  Based on the developmental readings and feedback from myself, cast members and audience talk backs, Gwen has reworked the ending in a way that I believe all will find more satisfying and hopeful.

Those of you who have followed my previous posts about the play development project I’m working on at Queensbury will be happy to hear that we have started rehearsals for the full production. There have been a couple of new additions to the cast. We are excited to welcome Susan Shofner and Jennifer Doctorovich who replace two cast members from the developmental readings. Both are Actors Equity Association members.

Blocking rehearsals began last week and the new cast members and new groundplan for the set encouraged me to experiment a bit with the flow. Characters are evolving and being more clearly defined and the relationships are being plumbed to a new level. The general feeling among the cast is one of excitement to be working so closely with the playwright, who is almost instantly responsive to our questions and suggestions. It’s evolving as a true collaboration.

The play tracks a group of former sorority sisters as they sponsor and plan an LGBT prom for gay students at the local high school. In the process, old secrets, lies, attractions, and betrayals are revealed in often hilarious and alternately painful ways. An old love is rekindled, friendships are tested, and at least one relationship will be destroyed.

This full production, the result of an eight-month process, will preview to the press and friends on Thursday 7/12/18, open on Friday 7/13/18, and perform Thursdays through Sundays at Queensbury Theatre, 12777 Queensbury Lane, Houston, Texas 77024. It performs through 7/22, with an Industry Night on Monday 7/16/18.  For dates and times and to buy tickets, call the box office at 713-467-4497 ext 1, or go online to:  https://www.queensburytheatre.org/girlswhosinginthechoir

Industry rates are available to all working theater professionals if you ask. Otherwise, use Promo Code: PRIDE for discounted tickets.

Hope to see you there.

Miss Bennet, Week 4-First Preview

This last week has been leading up to our first preview of Miss Bennet: Christmas at Pemberley and the introduction of audience to the recipe. It is that ingredient, like yeast, that will make our work ‘rise’, and elevate the rehearsal process to live theatre.

The set is receiving its final touch ups, we are still waiting for one chair that is currently starring in a production at another theater. Props are being adjusted and finalized. Decisions must be made about the exact amount of cranberry juice for color in the ginger ale punch bowl and how much light to throw on the Christmas tree without upstaging the actors. Do we use the incidental music to transition us from one scene to another, and does it end when the lights come up or fade as the actors enter? As the director, I am consulted and involved in all these decisions and processes.

But my primary focus is on the actors and their journey to bring these characters to life. The cast is as widely different in acting and work styles as the characters are different.  One actor is very free and able to commit to even extreme and presentational-performance styles. Another found the core of the character early on but is still trying to find the exact vocal balance. Still another actor must understand the psychological ramifications of every single gesture and inflection to the point of being crazy-making. Some seek me out for private conversations to rationalize a piece of blocking I’ve given. Others seem almost jealous to receive this information second-hand, so I have to reprise the conversation all over again. My detailed notes after each rehearsal are generally taken with eager and good humor, while occasionally there seems resistance to changing anything without extensive discussion. Once in a while, I have to remind a cast member that I’m the one sitting in the audience and seeing the stage picture, and I’m the one whose responsibility it is to fulfill the vision of the play, not just his or her character.

While highly professional, this is a very young cast. I find their willingness to be creative and collaborative exciting. But their equal eagerness to challenge every decision and offer their own insights as to what the play should be, sometimes takes valuable time out of the rehearsal process. A more mature actor would consider it impertinence. But then, I would not have the benefit of the occasional insight that leads to a solution. It is a balancing act.

Sunday marked our first preview. It was an almost full house, which is an advantage because it frees people to laugh. The first audience is so important to the process. It is during previews that we discover whether the humor is working. Do we need to take an extra beat before the next line so as not to ‘kill’ the laugh? Are there lines we forgot might be funny and so the laughter takes us by surprise? Even more gratifying is to discover you have actual Jane Austen fans in the audience who get the inside jokes from Pride and Prejudice. Lauren Gunderson and Margot Melcon have skillfully inserted such references without drawing attention to them.

During the preview, I sat with Artistic Director, Becky Udden, and Carrie Cavins, my lighting designer.

It was exciting to see the eager and attentive faces of our somewhat older audience members. The first preview invariably includes long-time patrons and senior citizens. Any concerns I had about volume of the actors were allayed quickly. Pacing seemed very good, but a few scenes seemed a trifle slow to me. A sign that the actors are still tentative about what they are doing. While pleased with the audience response, I saw all the little things that needed to be fixed.

Carrie, like me, saw only the places where the light was uneven, or an actor was standing just out of light. She can only do so much if the actor cannot feel the light on his/her face and seek it out.

Becky on the other hand, seemed delighted with the show and recognized that any small imperfections can be fixed this week in rehearsal and previews.

Audience response and the buzz in the lobby were very good.  I had a few interesting conversations with patrons.  Later, Shannon Emerick forwarded our first email response from an a longtime Rice University staffer in the audience, who wrote, “It was an absolute delight. Terrific way to begin the holiday season. Helen”

We’re off to a terrific start. The rest is in the details. Next rehearsal on Tuesday. Then three more previews before opening night.