Monthly Archives: July 2018

Sold Out Opening Night

It’s great to be able to report that Shakin’ the Blue Flamingo was sold out for Friday’s opening night performance. Granted it was somewhat packed with friends and fans of playwright Gwen Flager, but it was gratifying.

There was a small ‘do’ at Brio before the show, where I met dozens of Gwen’s friends who had traveled from Austin, Dallas, Fort Worth and as far away as Delaware and Alaska for the event.

The performance itself was high-energy and fed off the love and laughter generated from the audience. This was a great house, and they not only got all the jokes, they probably knew the origin of some of them. A number of people were folks who have followed the development of this play from its first reading several years ago. Many spoke to me after the performance who were gratified at how far the play had come and how wonderful it was for Gwen to see the play be fully realized. Gwen herself was glowing.

After a small gathering with the cast after, fueled by more good will and a happy staff, I went home and collapsed into bed. It’s been a gratifying and exciting process. But the play belongs to the cast now. Hope it is a wonderful ride.

Reservations for the rest of the weekend are filling up, with Saturday virtually sold out, Sunday matinee is your best bet for this weekend. But there is next weekend. Get your tickets ASAP. Go to:

https://www.queensburytheatre.org/shakintheblueflamingo

Let me know how you liked it.

Claire HP

Turning a Corner: Shakin’ the Blue Flamingo

Sunday was our extended tech rehearsal for Shakin’ the Blue Flamingo. As we incorporate technical aspects and refine acting objectives, there is always one very long day where it all has to start coming together. Sunday we rehearsed from 1 pm to 10 pm with a break for dinner.  We completed two full runs and choreographed the prop crew’s efforts during the scene breaks. I always like to make the changeover look like part of the show if possible, so our prop crew is dressed as if they are employees of Edna’s diner.

The musical segues and interludes are a play list of all the great torchy female vocalists of the 70s and 80s. The mature members of our audience will have a great time trying to remember names of all the singers and the years the songs came out.

Adding costumes and sound can be distracting to some actors, especially when fast changes are involved, so I was pleased to see that this did not derail us. Although, we are still tweaking and accessorizing, the physical personae of each character became clearer. Some actors find that adding the clothes of their characters can give them that last nudge into realizing them as three-dimensional people. And so it seemed to be yesterday.

My lead actress has been struggling for clarity in her character, as she felt the text sent her back and forth in opposing directions concerning what she really wanted. Talking through this in notes, I suggested that she needed to decide what ‘she’ wants to do to the other person and try her best to do that. The emotional baggage of what she secretly wants as opposed to what she is doing is what weakens her resolve occasionally and becomes an obstacle to overcome. She wants to protect herself from being hurt by the person she has been in love with for years. So every time Mac pushes Rosie away, her love pushes right back and opens the possibility of hope. That hope is what undermines her resolve and what she struggles against. She cannot hope and barricade her heart at the same time. She has to choose when to open herself up, and that choice is the crux of the play.

When we came back for the second run-thru, everyone was more energized, pushing the envelope and working their objectives. And suddenly, it seemed like we might be on the brink of having the play I’ve envisioned in my head; the one Gwen Flager wrote and rewrote.

As Geoffrey Rush says in “Shakespeare in Love” when he is asked how something fine can come out of the chaos of rehearsal, “I dunno, it’s the magic of theatre.”

We open on Thursday, July 12, 2018. Hope you have us on your schedule. Currently, the run is only two weeks, and it is in the Black Box theatre. So don’t wait til the last minute to buy your tickets.  Our staged reading turned people away. For schedule and information go to:

https://www.queensburytheatre.org/shakintheblueflamingo

Check out my interview about the show:

Check out my interview about Shakin’ the Blue Flamingo on the Queensbury Theatre facebook page: https://www.facebook.com/QueensburyTheatre/videos/1957135634330687/

Thanks,

Claire Hart-Palumbo