Monthly Archives: June 2018

Rehearsal for “Shakin’ the Blue Flamingo”

We are now three weeks into rehearsals and our process is alternately blissful and excruciating. We work subtle nuances of one scene until all seems to click, and then go on to a scene we think already perfected and discover we’ve lost the rhythm or the refinements…or the lines.

Each of my actors is a veteran theater professional, but each with very different experience, skills, and strengths. Some learned the lines almost immediately but struggle to remember blocking. Others get the blocking, but stutter step through the words—which have been changing as we refine this wonderful new play.

Some with a strong vocal instrument and ready access to the ‘psychology’ of the character came in strong, but now begin the torturous journey to dig deeper than their usual comfort level. One actress informed me that I was terrifying, but then admitted that I was only demanding her best. I try never to yell or throw tantrums, but my expectations of these women are very high. And sometimes my frustration has to show. I suppose that can be terrifying if you are used to relying on technique or the usual bag of tricks and I insist on more.

It is a constant ebb and flow. One day five or six of the seven are working at high energy. Another day, someone who has been struggling makes a breakthrough. We discover a ‘moment’ in the play that wasn’t previously defined, and it’s all worth it. Painstakingly, we carve the emotional terrain of this play and hope our audience will find us and recognize the labor and the love that has brought us to the stage.

As we define the action and perfect the emotional pitch, the next struggle will be as we begin to integrate the technical aspects, stop miming the actions and begin working with food and liquids and prop phones. How to master the swing of a kitchen door, time the sound of a chair scraping the floor, or a spoon clinking on a cup? These are the millions of details that go into making the perfect arc of the play. Mastery of one thing only leads to larger challenges and obstacles.

Oh, but the joy of finding the right note, the perfect laugh, the synchronous movement and line. There is the satisfaction that keeps us working for low wages at a craft we are passionate about. At the service of the words, and hopefully the playwright.

Our own dear playwright, Gwen Flager has brought her own energy and focus to this process. She is learning much from this shared experience. For a play may be born of a writer’s mind, but it is birthed by the collaborative effort into a living and breathing thing.

For Gwen’s notes, pictures and musings on this process, go to her website:  http://gwenflager.com/blog/.

Above photo by Julye Newlin.

Hope everyone will come share the bounty with us when we open on July 12, 2018.

 

 

RIP Blackie

Some eight or nine years ago, a long lean overgrown kitten insinuated himself into the lives of my neighborhood. Coal black, big sage green eyes, he had a princely air of privilege and ownership that belied his status as a stray. He plopped himself on my patio and began talking to my girls through the French doors. Christabel and Cindy Crawford were a bit flustered, being older divas and not used to young male admirers. But they seemed to tolerate him and almost look forward to his visits. They would slip around him at the door as he munched a handful of dry food, and soon all would be lounging around the patio, pleasantly absorbing the sun.

A natural charmer, Blackie became a regular visitor to houses for a three or four block radius. He developed a route through the subdivision. One morning, when I was leaving unusually early, my garage door went up and I saw him come to attention four houses away and race toward my house. He got his treat.

Generally good mannered, I had to take him to task a couple of times for walking in and taking a tour of my house. After that, he realized he would only be fed on the patio and was satisfied to wait for me there. Often when I let my cats out, he was already lying on the seat of my patio chair under the oak tree.

He came to know which yards were safe and who offered refuge. Another morning, I pulled out of my garage later than usual and discovered two bruisers of dogs trying to pin him down. He raced to the grill of my front entrance, but the mailman had pushed it inward and so the dogs were able to corner him. I came flying out of my car screaming, which distracted them long enough for Blackie to scoot past and along the back of my front hedge. But they quickly pinned him down at the gate between my house and my neighbor Maria’s. They would have snapped him in two in another minute. Perhaps foolishly, I rushed to his aid and was promptly knocked down in the skirmish. My strident yelling sent one dog running, as Blackie disappeared over my fence. The other Rottweiler-mix trotted a few steps, then turned to assess whether I was worth attacking, but finally raced away.

Shaken and upset, I left the car idling and hurried through the house to the backyard. Blackie cowered in a cleft between my tree and the back fence, covered in slobber but without visible wounds. While I went for a treat and a towel, he disappeared into Maria’s yard.

Returning that evening, I found the small pile of food I’d left untouched. I called to Blackie and heard a faint mew from over the fence. Knowing my neighbor was out of town and fearing the worst, I invaded her yard and discovered him huddled in the rafters of her tool shed, where he’d been all day. Coaxing him down and through the gap in my fence, he returned to the safety of my yard, where he stayed for a few days, until he recovered his bravado enough to resume his neighborhood rounds.

My neighbor Bonnie and I took Blackie to the vet to be fixed, and annually to get his shots. He didn’t hold it against us.

Then four years ago, a new couple moved in a few doors down. Blackie walked in the door to welcome them and decided to stay. Anna and Hector adopted and loved him. He became an indoor cat who occasionally went out to  greet his old friends, human and feline. He would still come and wind around my feet if I happened to be working in the yard.

A few months ago, Anna noticed that Blackie returned from his prowl limping. She thought he might have injured himself. On inspection she discovered a lump in the joint of his leg. After a lot of tests and general angst among his friends, Blackie went through surgery to remove his right front leg. He came back looking like a peg-leg pirate.

Miraculously, he seemed to recover his balance and his sense of humor and fun. He still managed to climb and loved sunning himself, but Anna kept him close to home. Then recently they discovered lumps over his kidneys. He became lethargic and Anna discovered blood in his urine, then his gums bled.

He was loved and cared for until it seemed his pain was inexcusable. I visited with him yesterday. petting his almost limp and emaciated body and sharing stories with Anna. A low rumble of a purr and a steady flick of the tail were his only response. His glazed eyes, once green were dark with a slim corona of blue, but seemed to focus briefly and I think he remembered me and enjoyed the slow and steady stroke of my hand. But the time came to leave, and later last night, Anna and Hector welcomed the pet Hospice people who came to end his pain and put him gently and quietly to sleep.

His sweet presence will be missed by many in the neighborhood, but most acutely by Anna and Hector. Goodnight, sweet Prince. And flights of angels sing thee to thy rest.

Phase 3 – Shakin’ the Blue Flamingo

Queensbury Theatre’s 2017 Playwrighting Competition winner, Girls Who Sing in the Choir, by Gwen Flager, has a new name! Shakin’ the Blue Flamingo will be the title going forward, and hopefully in print. Along with the new title, we have a new ending for the play.  Based on the developmental readings and feedback from myself, cast members and audience talk backs, Gwen has reworked the ending in a way that I believe all will find more satisfying and hopeful.

Those of you who have followed my previous posts about the play development project I’m working on at Queensbury will be happy to hear that we have started rehearsals for the full production. There have been a couple of new additions to the cast. We are excited to welcome Susan Shofner and Jennifer Doctorovich who replace two cast members from the developmental readings. Both are Actors Equity Association members.

Blocking rehearsals began last week and the new cast members and new groundplan for the set encouraged me to experiment a bit with the flow. Characters are evolving and being more clearly defined and the relationships are being plumbed to a new level. The general feeling among the cast is one of excitement to be working so closely with the playwright, who is almost instantly responsive to our questions and suggestions. It’s evolving as a true collaboration.

The play tracks a group of former sorority sisters as they sponsor and plan an LGBT prom for gay students at the local high school. In the process, old secrets, lies, attractions, and betrayals are revealed in often hilarious and alternately painful ways. An old love is rekindled, friendships are tested, and at least one relationship will be destroyed.

This full production, the result of an eight-month process, will preview to the press and friends on Thursday 7/12/18, open on Friday 7/13/18, and perform Thursdays through Sundays at Queensbury Theatre, 12777 Queensbury Lane, Houston, Texas 77024. It performs through 7/22, with an Industry Night on Monday 7/16/18.  For dates and times and to buy tickets, call the box office at 713-467-4497 ext 1, or go online to:  https://www.queensburytheatre.org/girlswhosinginthechoir

Industry rates are available to all working theater professionals if you ask. Otherwise, use Promo Code: PRIDE for discounted tickets.

Hope to see you there.

“There You Are” Premiers at OutFest in LA

There You Are, will be world-premiering at Outfest in Los Angeles this July!

As many of you may remember, I was part of a wonderful short film project back in January of this year.  Just received word from our illustrious director, Lisa Donato, that “There You Are” has been accepted to premiere at Los Angeles’ OutFest in July.

“There You Are” is the story of a transgender woman (Jessica/Justin played by Jenn Richards), in a loving relationship with another woman, who is called home by her conservative and judgmental mother because her maternal grandmother is dying. She makes the effort to meet her mother’s expectations of a ‘son’ and to deal with the grief and tragedy of loss in a high-stress and deeply emotional situation. I was blessed to be cast as the repressive mother and had a wonderful experience shooting this short film with a very talented cast and crew.

If any of you will be in Los Angeles in July, here is the link to the schedule.

Screening Dates/Times: