Author Archives: Claire Hart-Palumbo

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About Claire Hart-Palumbo

Former actress and theater director turned technical writer / instructional designer, has signed a three-book deal with Sibylline Press for her cozy mystery series, set in the Houston theater community. Loves Jane Austen, Noel Coward, cozy mysteries, SCBWI, and the beach.

Theatre – Post Harvey Update

Between difficult subject-matter-experts at my day job, Hurricane Harvey, and having to redesign my online Film Appreciation class multiple times around the delayed start of the Fall semester, I’ve been very busy and not a little stressed.

But the good news is that this is a busy autumn season for me theatre-wise.  While some theaters were adversely affected by Harvey, causing delays or cancellations, some of the mid-sized theaters are very busy. I’ve tried very hard to make time to support the theaters that are still producing by attending a variety of different offerings. This is a great season for edgy new plays like Ayed Akhtar’s Disgraced at 4th Wall Theatre Company, Wallace Shawn’s  Evening at the Talk House at Catastrophic, and entertaining additions to established franchises like The Ensemble’s Sassy Mamas by Celeste Bedford Walker. But it is an even better season for some wonderful and often over-looked classics like Maxim Gorky’s Enemies at Main Street Theater, George Bernard Shaw’s Mrs. Warren’s Profession at Classical Theatre Company and its upcoming production of An Enemy of the People by Henrik Ibsen.

Last weekend, we launched the eight-month development process on the 2017 winner of the Queensbury Theatre Playwrighting Contest. My cast and I met to do table work and hold an initial public reading of the most recent revision of Gwen Flager’s The Girls Who Sing in the Choir. Gwen and I will meet in consultation over the next few months as she does additional rewrites. Then in February, Queensbury hosts a staged reading of the play. After additional workshops, revision, and rehearsal, the play will receive a full production in the summer of 2018. It is an exciting inaugural project and I hope that Queensbury will commit to making this an annual event.

I’m confident that MST’s production of Miss Bennet: Christmas at Pemberley will bridge the gap between the lovers of classic literature and edgy new playwrights.  It should prove a welcome holiday alternative to the usual Dickens fare and The Nutcracker.

I am directing this homage to Jane Austen’s Pride & Prejudice characters, as reinvented by playwrights Lauren Gunderson and Margot Melcon. Named the Most-Produced Playwright of 2016, Gunderson also wrote Silent Sky and The Revolutionists, which were featured in recent seasons at Main Street Theater.

Our first read-through of the play, held last night, was a “Part of the Art” offering to our loyal MST subscribers and longtime supporters.  People on the MST list serve were invited to experience this sneak preview of the play in its purest form.  Folks attending last night’s table read will be able to compare their impressions to the actual production later and more completely appreciate the journey a play makes before it is fully realized.

Joining the audience and myself were my Stage Manager, Lauren Evans; Assistant Director, Joanna Hubbard; Costume Designer, Deborah Anderson; and the cast: Chaney Moore, Brock Hatton, Spencer Plachy, Laura Kaldis, Heidi Hinkel, Blake Weir, Skylar Sinclair, and Lindsay Ehrhardt.

I like to think that one of my strengths as an actress-turned-director is putting together a dynamic and talented cast. That was reaffirmed by last night’s gathering. While the cast has had their scripts and my research notes for several weeks, most of them have been working hard doing other shows. Nevertheless, the reading showed preparation and thought and was as close to production level as I’ve experienced with any cast in recent memory.  It will only grow and deepen over the next three weeks as we learn to work together and create art.

For me, this is a moment filled with excitement and anticipation, fully appreciating the adventure and the possibilities before us, and not yet overwhelmed by the physical and design demands of the show.

I hope you will join us for the adventure.

Miss Bennet will run at Main Street Theater November 11 through December 17, 2017.  For information, visit www.mainstreetheater.com or call the box office at 713-524-6706.

Claire Hart-Palumbo

SCBWI-Houston Conference 2017

Well, another great conference has come and gone. I splurged this year, as my schedule has been very hectic and promises to get worse. I took advantage of the special offer and booked myself into the Marriott Hotel where the conference was being held on the night before and stayed till Sunday. Very nice accommodations on Briar Park just off Westheimer.

Per usual, a wonderful group of local SCBWI volunteers helped keep us on track and on task, introducing our guest speakers and directing people to the silent auction, Blue Willow Books booth and the food, which was as plentiful as the information.

Our key note speaker this year was middle-grade author, raconteur, and former teacher Bruce Coville.  Some of his best stories involved lessons he learned from his own students and from those who helped him along the way. It was an entertaining and up beat opening to the events and a foreshadowing of the delightful novel writing workshop he ran on Sunday morning.

There was a panel discussion that included a number of our more successful and prolific Houston authors, from debut novelist Caroline Leach to the very successful Crystal Allen.  We also got tips from Jennifer Hamburg, Chris Mandeleski, Varsha Bajaj, and Pat Miller. Pat represented for the non-fiction contingent and led a workshop on that topic Sunday morning opposite Bruce Coville’s.

Little Brown Books editor, Deirdre Jones spoke on “New Twists on Old Themes” and how to put a new twist on the universal topical themes (think the seasons, holidays, colors, etc.) that make your book marketable year after year. Finding a way to mash up multiple themes in your picture book makes it seem fresh and ever more appealing to tiny would-be readers and their parents.

After a brief break, bidding on the auction items and some networking, the attendees were divided into break-out sessions for writers in general and a special session for published authors. I attended Random House editor, Martha Rago’s workshop, “Speed Dating with a Picture.”

Christa Heschke, agent with McIntosh and Otis spoke on writing an engaging mystery atmosphere that reeks of tension, is properly paced, and has an original premise. She stressed the importance of outlining in writing mystery. Pre-planning can save two or three of those seemingly endless rewrites.

Anna Roberto, editor with Feiwal & Friends, an imprint of MacMillan talked about the ever elusive ‘voice’ and what it is, what it sounds like, and why it is so essential to setting your manuscript apart.

Thao Le, who is an agent with Sandra Djikstra talked about the art of revision: tightening language, being specific, and the use of vivid active verbs.

I had two critique sessions, both informative and helpful, but differing widely in what needed to be fixed and how to do it.  While I was meeting with my critique mentors, I missed part of the presentation by Full Circle Literary agent, Adriana Dominguez, who spoke passionately and informatively about diversity in children’s literature, both in subject matter and in authors.

After a long and eventful day, the pitch sessions began, followed by dinner and dancing. I went to bed early, my brain completely overloaded.  But I woke fresh and ready for the novel writing session with Bruce Coville the next morning (pictured with me above).

Attendance was slightly down this year, partly because of the recent flooding and losses experienced by stalwart SCBWI members.  But overall it was a great experience.

 

We Are Not Ourselves

We Are Not Ourselves
We Are Not Ourselves
by Matthew Thomas

My rating: 3 of 5 stars

The writing is vivid, beautiful, even nearly poetic at times. BUT it is all third-person, character point of view internal musings. There is little or no dialogue. There is a lot of telling and not enough showing in the character development. We know how they think and the petty things that drive them to make certain decisions, but only because we are told. We do not discover from their actions.

Secondly, this is a book that deals with early onset Alzheimer’s but in a very frustrating and almost unsympathetic way. I forced myself to read the first 200 pages because it won awards and was recommended by an agent. But it breaks all the rules they teach you in Novel-writing 101, and I found it so frustrating to read that I set it aside to read something I could enjoy.

View all my reviews

The Family You Choose

Last November, in 2016, I took the NaNoWriMo challenge and wrote over 50,000 on a novel.  It was an exercise.  I wanted to see if I could discipline myself to putting out a certain number of words every day.  I also wanted to write a story with more action and complications than I normally write into my first drafts.

With that in mind, and a single image of a young woman unwrapping the contents of a parcel, removing the bubble wrap and tape from a funerary urn, I began.  I did write over 50,000 words, but I did not finish this novel. After many months, I’m picking it up again and taking another look.

I realize that I really like these characters and they each have a unique and somewhat colloquial voice. There are plenty of complications.  I only need an ending.

Having just finished working through my other two novels with my critique groups, I need something else to work on with them.  I took in the first chapter and they are very enthused.  So it looks at though this will be my writing project for the next few months at least.

Wish me luck and send good vibes.

Directing MST Production of Gunderson Homage to Jane Austen

Main Street Theater announced its season to include “Miss Bennet: Christmas at Pemberley” as its second production, following Gorky’s “Enemies”.  I’ve agreed to direct it and am very excited to once again be working with the characters from Pride and Prejudice and the work of Lauren Gunderson.

Having performed in Lauren Gunderson’s “Silent Sky” a couple of seasons ago and delighted in “The Revolutionists” this last season at MST, I am very excited to be involved in this play, which she co-wrote with Margot Melcon. A lovely person and talented writer, Gunderson has become one of the most produced playwrights in America.

To add to my joy, this play is a riff on one of my favorite Jane Austen books. I performed in MST’s adaptation of Pride and Prejudice (penned by Artistic Director, Rebecca Green Udden) in the 1980s and directed a revised and improved version of that script in the 1990s.  This will be like a holiday visit with extended family.

Which is where the play picks up, two years after Fitzwilliam Darcy and Elizabeth Bennett have settled their differences, overcoming his pride and her prejudice to become a happily married couple. The lovely Jane has married her Bingley and they are expecting their first child, seemingly at any moment. But they have journeyed to Pemberley to celebrate Christmas with the Darcys, the studious Mary Bennett in tow. The rest of the family is expected to arrive before Christmas day.

More mature and accomplished, Mary is still more comfortable playing the pianoforte or perusing an Atlas than serving tea or engaging in polite conversation. She has come to realize that everyone expects her to be an old maid and care for her parents as they age, but she is not sure she’s happy with that lot in life. A woman ahead of her time, she would prefer the life of the scholar or the professional musician, but those avenues are not readily available to her. (This seems to be a theme in Lauren’s plays.)

Meanwhile, Darcy’s aunt, the formidable Lady Catherine has died, and despite her best efforts, the estate is entailed to a distant cousin named Arthur de Bourgh. A diffident young scholar and scientist, he could not be more uncomfortable with his new role as Lord of the manor. On his reluctant journey to assume his dubious title at Rosings, he accepts Darcy’s invitation to join the family celebrations. Unfortunately, Darcy invited him without telling Elizabeth.

The ‘cute meet’ happens when Arthur arrives somewhat unexpectedly to be greeted rather curtly by Mary, who seems to assume he is more likely a burglar than a guest.  They are just starting to discover how much they have in common and struggling to express their attraction, when first Lydia Wickham then Anne de Bourgh arrive to complicate the matter.

As you might expect, Lydia’s rather patched up marriage to Wickham is not entirely successful. But she is too arrogant and proud to admit they are anything but happy, until she thinks she might latch onto a rich Lord for a lover.

Anne, the almost invisible and sickly daughter of Lady Catherine has emerged from her chrysalis upon her mother’s death. Unfortunately, her new gregariousness has a decidedly snippy and privileged tone very like her mother’s.  Unwilling to wait for Arthur to get around to arriving at Rosings, she arrives at Pemberley in the middle of the night to root out her cousin and stake her claim as his fiancé.

Needless to say, mayhem ensues.

I have cast a wonderful group of actors and am anxious to begin the rehearsal process in October. Meanwhile, I’m working with the talented designers at MST to create the world of Pemberley on MST’s thrust stage.

Keep the show in mind when you are trying to find things to do around the holidays. Opening in early November and running through mid December, it should be a delightful alternative to the usual Scrooge and Nutcracker offerings.

For more information visit the Main Street Theater website at www.mainstreettheater.com

Claire Hart-Palumbo

Post-Harvey

In the aftermath of the devastation that was Hurricane Harvey, and similar losses in Florida, it may be time to honestly assess what is important to us.

Television streamed a 24-hr a day summary of disaster, seasoned with kindness. Those of us who waited and watched the water rise, resigned to possibly losing our homes and having to be rescued, stayed glued to TV,  radio, and social media as long as there was power. I was struck by two things. Stuff is just stuff.  People (and pets) and our relations to them are more important.

While scrambling to prop up furniture and decide what to save, it dawned on me that I have accumulated a lot of objects, very few of which would be deeply missed.  I took measures to save my computers and the writing I’ve done and the pictures stored on them.

It shook me to realize that all my family was too far away to help or support me and I would be thrown onto the ‘kindness of strangers’ should the worst happen. Once the water began to rise in my street, friends around the city who might offer me shelter were unable to reach me without great risk. I had to depend on myself to do what was possible and to protect the two small creatures that are my daily companions.

Yet over and over again, I saw on TV the selfless bravery of our first-responders, the wonderful character of generosity and courage of my fellow Houstonians, and the unexpected blessing of people from all around the country who drove all night, often towing a boat, to reach out and help.

I was lucky. After three days of rain, I climbed into bed with my cats prepared to wake up to water on the floor. I prayed, as I knew my family and friends were praying. Miraculously, the rain stopped for several hours—long enough for the water to recede from my doorstep.

Just as in the aftermath of Ike, neighborhoods banded together to help each other. Neighbors that we met and befriended during that last event but somehow lost touch with or did not follow through to grow the acquaintance, once again knocked on doors and worked together to share whatever assistance and encouragement they could. It would be nice to think that we will do better this time, but history does not bear that out.

As we begin to recover, we will once more become absorbed in personal trials and lose sight of the bigger picture. That, I think may be the true tragedy of social media. It keeps us engaged, but always at arms length. True friendship takes a little work. You may have Facebook and Twitter friends around the world, but do they include your next door neighbors?  Is it easier to post something like this than to walk next door and say thank you?

Just something to think about.

Claire HP

Deadly Thyme, by R.L. Nolen

rlnolen

Kudos to this local Houston writer! Her psychological thriller, Deadly Thyme has won a five-star rating from Readers’ Favorite, a Best Book award and the Clue Award in its category from Chanticleer—with good reason.  It’s a great read.

Set against the rich panorama of Cornwall, cornwall

our hero is Detective Inspector Jon Graham. He’s been sent out from London to take over surveillance of the local constabulary in a sleepy little village where everyone seems to have secrets. A questionable amount of money has suddenly appeared in the bank account of local Detective Chief Inspector Trewe. A day or two and Jon should be back in London. But things quickly become more complicated.

A 10-year old girl disappears from the beach while gathering seashells with a friend. Her mother, Ruth Butler, is a somewhat mysterious American woman who turned up in Cornwall a few years back. She lives quietly with her daughter, Annie. They have only recently integrated into the local community. The scenes from her numb and desperate point of view are heartbreaking.

Contributing to the reader’s sense of urgency are brief glimpses of Annie’s captivity.

When Jon, quite by accident, discovers the decaying body of a young girl on the rocks below a cliff, it looks as though Ruth’s daughter has been killed. But when they discover the body is not Annie’s, it only adds to the terror and complications. This young girl was held captive for weeks if not months and actually died of exsanguination—she was deliberately bled to death.

Jon finds his covert investigation compromised now that he is a witness in the kidnapping case and comes under the suspicious eye of DCI Trewe. His empathy with the lost child and her mother increasingly conflicts with his duty and his objectivity, especially as he starts falling in love with a woman who may be a suspect in her own child’s death.

Jon helps Trewe unearth several seemingly related kidnappings and deaths over recent years, each body discovered with a bit of a flower or herb attached that offers a clue to the killer’s state of mind. Various possible suspects are introduced with traits that seem to match the villain, whose dark and twisted nature we glimpse in brief POV scenes.

Things escalate to a climactic end as the killer’s ultimate target is revealed to be not Annie, but her mother. Ruth bears a striking resemblance to the killer’s own mother and becomes an avenue to reconcile his hatred and compulsion. A tortuous chase ensues where everyone’s life is at stake at one point or another. But the case is resolved positively and we are given an explanation of Trewe’s sudden wealth, the dark secret that brought Ruth and Annie to obscurity in Cornwall, and the end of a series of brutal deaths. We are also left to wonder if Jon’s relationship with Ruth may not blossom to figure in Nolen’s next book.

Available from Amazon.com in hard-copy and as a Kindle e-book.

The Secrets of Flight, by Maggie Leffler

This 2016 novel is appealing both as women’s fiction and potentially as a YA novel. The two main characters are Mary Browning, an eight-seven year old facilitator of a senior citizen writer’s group and Elyse Strickler, the fifteen-year old aspiring writer who stumbles into the group by mistake.

Both characters tell lies and live with secrets. Mary has come to her position through a random remark made to one of the other tenants of the building where she moved after her doctor husband’s death. She was never an editor at a publishing house. But she was a flyer for the Women Air Service Pilots corps in Texas during World War II. A fact she has kept a secret for over sixty years, not out of shame, but because she gave up her life, her family, and her ethnic/religious heritage when the man she loved decided to hide his Jewish identity to get into medical school.

Because Elyse reminds her of her dead sister, Mary chooses her to help write a memoir that will give her some closure and a new relationship begins. Coincidentally, Elyse is inspired to be a writer because her grandmother wrote a book about a relative, tragically killed when she flew as a WASP in the 1940s.

Attracted to a popular boy at school, Elyse ditches her best friend and lies to her parents to be around him, begging her teacher to assign them as ‘marriage’ partners in life studies. He of course turns out to be nothing like her fantasy and she is at risk of failing two classes because of him.

Finding herself unwittingly privy to information about her parents crumbling marriage, Elyse feels betrayed by both. Her dour attorney mother has pushed Elyse’s father to the brink of adultery, and is estranged from her own mother as a punishment for Elyse’s grandmother moving to Florida. Now the grandmother is dying of cancer and Mom refuses to acknowledge the fact.  

On impulse, Mary offers to pay for Elyse’s air fare to visit her grandmother. Elyse lies to her mother about who bought the ticket and is reunited with Margot, a perky positive woman, full of life but in a downhill spiral. The visit is timely, because within a week the grandmother is dead. That event sets in motion a series of forced reunions that reconcile not only Elyse’s mom and aunt, but lead to the discovery of connections with the real Mary—Miriam Lichtenstein.

I found this book engaging in both points of view, and in the present and the past. It is seasoned with wonderful accounts of flight and the challenges faced by early women fliers, their clandestine heroism, their betrayal by their superiors and Congress, and their ultimate recognition with the Congressional Medal of Honor. Early women flyers are a favorite subject for me, but even I learned a lot about these extraordinary women. For instance, did you know that even though their existence was hush-hush, their uniforms were designed and created by Neiman Marcus?

The characters are engagingly and lovingly drawn. Woven throughout the story are issues of religious and ethnic identity and freedom and how perceptions and values change over time, no matter what we do to preserve or conceal them. Ironically, the decision Mary/Miriam made to assimilate to avoid cultural stigmas caused her to be ostracized by her family and cost her cultural heritage. In the present, those all important traditions and cultural identity have become only negligibly important and are marginally observed by the very family that shunned her

My only complaint would be that the number of parallel characters, alternate names and identities, and the occasional difficulty of telling what is a lie and what is true not only built suspense but occasionally created confusion. Still, it was an excellent read and an interesting glimpse of present-day high school, forgotten history, as well as past and present Jewish culture.

 

Gooney Bird and All Her Charms, by Lois Lowry

Gooney Bird and All Her Charms by Lois Lowry (illustrated by Middy Thomas) – This chapter book is part of an award-winning series. Gooney Bird is an eccentrically dressed second-grader with a Type A personality . She is surrounded by a number of outspoken prankster classmates and an infinitely patient teacher. Think Pippi Longstocking in Kindergarten Cop.

In this book, Gooney Bird’s great-uncle, Dr. Oglethorpe, happens to be a prominent professor of anatomy. He visits when her class is studying the human body, surprising everyone by bringing a ‘gift’. He loans the class the human skeleton from his own classroom for a month, to be used in their studies. The kids name it Napoleon. It causes quite a stir among the student body and some of the parents.

The class sets out to involve everyone by setting it up in different locales with different accessories to emphasize the part of the body being studied. All goes well until someone makes off with Napoleon.

Maybe it was because chapter books are not my genre, but this book seemed contrived and self-consciously cute. There was educational value in the content, but it was disguised in outrageous behavior and coincidence. Even Gooney Bird’s charm bracelet of the title, bought at a garage sale, seems pasted on to tie everything together. But the illustrations are highly imaginative and entertaining.

YA Reads for January

This month for the SCBWI meeting, I’m reviewing three really engaging and well-written Young Adult books. They have a number of things in common besides their reading group.

The Disreputable History of Frankie Landau Banks by E. Lockhart – This National Book Award Finalist (nominated the same year as Kathi Appelt’s The Underneath) is a YA novel set in an upscale boarding school. Frankie is a legacy. She is privileged, smart, and ambitious. Previously a bit of a geek, she blossomed over the summer and comes to the attention of the charming, handsome, and somewhat self-effacing leader of the inner circle at school. As Matthew’s girlfriend she gains entre to the seniors’ table. Matthew is leader by default of wealth and position, and because the more exotic Alpha was expelled the previous year. Frankie recognizes Alpha from an encounter at the beach. But perhaps because she is with Matthew, he pretends not to know her. Nevertheless, the two have more in common than she has with Matthew. He is born to privilege, whereas she and Alpha are outsiders.

Frankie quickly discovers the guys are co-leaders of the secret society known as the Loyal Order of the Basset Hounds, ‘known mostly for silly pranks and a history of male-only membership’. Frankie is aware of the Bassets because her father and his friends were members, teasingly referring to it but never revealing its secrets. Frankie, intellectually their equal if not their superior, becomes fixated on the fact that she can never be included. While Alpha is away, she creates an email address. Posing as him, she sends out detailed instructions for a Basset Hound prank. It is so successful that upon his return, Alpha takes the credit.

Matthew fails to confide in her. This only pushes her to bigger and riskier pranks, manipulating the boys of the group until she almost gets Alpha expelled. When she steps forward and takes responsibility to save him, Matthew drops her and freezes her out of the inner circle. She pays the price, but is triumphant rather than apologetic. She will never settle for being the leader’s girlfriend.

This book is well-written with multi-layered characters and relationships. It uses stereotypical personas at times to challenge the status quo. The threat of her own disgrace and expulsion is introduced at the beginning and the rest of the book is a flashback, with that danger ever present.

Thirteen Reasons Why, by Jay Asher—This 2007 international bestselling YA novel is an emotional rollercoaster. The two main POV characters of this book, Hannah Baker and Clay Jensen are teenagers in the same high school. Hannah, the victim of a series of seemingly unrelated slights, snubs, cruel lies, vicious gossip, bullying and rape has committed suicide. But she has left a series of audio tapes that accuse her tormenters and explain the events that drove her to take her own life. Thirteen people will receive the tapes and spend a tortured evening listening to the criminal behavior and thoughtless cruelty perpetrated on their classmate—and recognize their part in it. As each finishes, he/she must forward the tapes to the next person on the list or risk another set of tapes being sent to the newspaper.

Popular Clay Jensen liked Hannah very much, but allowed rumors of promiscuity to prevent him from acknowledging his feelings until a fateful party shortly before her death. Quietly mourning her, he is uncertain why he’s received the tapes or how he fits into the story, but he follows the map and listens to the painful details of Hannah’s account only to discover the girl he fantasized about was half in love with him. At the end of the night, Hannah is still dead and Clay will never be the same. He must forward the tapes and go back to school, seeing some of his classmates in a whole new light.

Masterfully written and gut-wrenching, this book will keep you up all night, just as the tapes keep Clay wandering the streets of his town into the pre-dawn hours.

Getting Over Garrett Delaney, by Abby McDonald—Published 2012, this novel follows young Sadie through a love crisis. At fifteen she met Garret Delaney, a new kid in town, and she was mesmerized by his good looks, easy charm and intellectual take on all things artistic and literary. Over the last two years she has lost contact with her previous BFF and become a permanent appendage to the dazzling young man she considers her soul mate and best friend. Supporting him in all things and propping him up every time he thinks he’s fallen in and out of love—she keeps hoping against all odds that he will wake up and fall in love with her. Think Mary Stuart Masterson’s Watts in the John Hughes film Some Kind of Wonderful.

Scheduled to go to writer’s summer camp together, Sadie hopes a summer in the country, living the literary life will seal their fate as lovers. But her mother started her in school a year late and although seventeen, as a sophomore going into her junior year she is rejected at the last minute. Garrett blithely goes off to camp and leaves Abby to pine.

Forced to look for a summer job by her life counselor mother, Abby falls into a job at her favorite coffee house. There she meets new friends who are older and more experienced, if not necessarily wiser. She very nearly loses the job she loves after a public melt-down precipitated by a call from the blissfully ignorant Garrett. Her humiliation was witnessed not only by her co-workers but by her former friend, Kayla. Instead of abandoning her to her misery, they help her take a leaf from her mother’s playbook and devise a project plan to ‘get over’ her obsession for Garrett Delaney and discover who she is without him over the summer. It’s cold-turkey withdrawal of all things Garrett, but it forces her to try new experiences, haircuts, and clothes. She explores other options in an effort to find out what she thinks, feels and likes, uncolored by Garrett’s rather snobbish viewpoint.

It’s a struggle but she succeeds admirably in discovering herself, until Garrett returns early. He seems ready to fall for her now that she no longer needs him. She is sorely tested and momentarily weakens. But from her new perspective, Sadie becomes painfully aware of Garrett’s self-absorption, condescension, and arrogance. Not only does she manage to save herself from more years of abject servitude to a mythical Garrett, but her journey helps her friends to recognize their own weaknesses and pursue their dreams as well.

All three of these novels are engaging, well-written and have characters of a similar age, social group, who need to be loved or admired for themselves. Each deals with peer pressure to some extent and the unspoken social structure in high schools, whether public or private. They are all about self-realization, the perception of others, and how our relationships define us. I would recommend each of them.